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Coach John Brophy paid it forward, helped black hockey players in their careers

25 Wednesday May 2016

Posted by William Douglas in Uncategorized

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Bill Riley, ECHL, Hampton Roads Admirals, John Brophy, Long Island Ducks, Slap Shot, Toronto Maple Leafs, Val James, Washington Capitals

When a lot of hockey people didn’t think Val James had the wherewithal to be a professional player, John Brophy did.

John Brophy (Photo/ Robert Shaver/Hockey Hall of Fame)

John Brophy (Photo/ Robert Shaver/Hockey Hall of Fame)

Brophy knew James had a hockey hunger because he saw it up close when Brophy was a fiery player for the Long Island Ducks and James was a youngster whose dad worked maintenance for the Long Island Arena, the barn where old Eastern Hockey League team played in the 1970s.

James’ dad had the keys to the arena, so young Val could skate whenever he liked. Brophy would watch James and his friends play in a local league at the arena and give them a little coaching.

“He thought I had the right stuff,” James told me recently. “I was just starting out so I wasn’t that much of a skater, or even a hockey player, for that matter. But he stuck with me and taught me a lot of things that did lead, eventually, to me going out and getting to where I got in hockey.”

John Duncan Brophy, a colorful career minor-league player who went on to become North America’s second winningest professional hockey coach, passed away earlier this week at the age of 83 following a lengthy illness.

Brophy is hockey history.  His 1,027 wins is second only to Hockey Hall of Fame Coach Scotty Bowman’s 1,224 victories. He accumulated a record 3,822 penalty minutes in an EHL playing career that spanned from 1955 to 1973.

He’s the only ECHL coach to lead a team, the Hampton Road Admirals, to three championships.

The two-fisted Brophy was dubbed as the “Godfather of  Goonery” and was thought to be Paul Newman’s inspiration for the goon-it-up player/coach Reggie Dunlop in the seminal hockey movie “Slap Shot.”

But Brophy is also black hockey history. He helped steer the careers of James, a tough-guy forward who became the National Hockey League’s first U.S.-born black player, and Bill Riley, who was the NHL’s third black player behind Willie O’Ree and Mike Marson.

Forward Val James, who became the NHL's first U.S.-born black player when he joined the Buffalo Sabres in 1981-82, said John Brophy treated him like a son.

Forward Val James, who became the NHL’s first U.S.-born black player when he joined the Buffalo Sabres in 1981-82, said John Brophy treated him like a son.

“Broph, he didn’t see color,” James said. “As a matter of fact, he and my dad were friends. To see them talk to each other, you’d swear they were enemies, but they were actually really good friends. Broph was always swearing – he couldn’t talk without swearing. My dad would be swearing back. You’d look at them and you’d say, ‘man, these guys are about to go’ and then they’d be laughing it up.”

Val James and Brophy also struck up a friendship rooted in mutual respect. When he coached in the American Hockey League, Brophy didn’t hesitate in sending out his enforcer to battle James, who was regarded as one of hockey’s most-feared fighters.

He also thought highly enough of James to add him to his St. Catharines Saints AHL squad in 1985-86. James rewarded Brophy’s faith with 3 assists and 162 penalty minutes in 80 games.

When Brophy coached the Toronto Maple Leafs for 2 1/2 seasons, he called James up from the minors for four games in 1986-87 to add toughness to the team. He responded with 14 penalty minutes in those games.

When James was working on his autobiography, “Black Ice: The Val James Story,” he sought out Brophy in 2013 for his recollections.

“He said to me ‘All the years you played with me, for me, against me, I had nothing but the best in mind for you and, you know what,  you performed better than I ever expected,'”  James told me. “‘I just wanted to let you know that you are one of my boys.’ I was very emotionally overtaken by that. He treated me like a son.”

Many players viewed Brophy as a tyrant –  a white-haired, red-face temperamental task-master with a fondness for bag skates and yelling until he was hoarse.

But James saw Brophy’s rough ways as tough love from one of hockey’s best teachers. Still, he was an acquired taste: Think Bobby Knight in basketball or Billy Martin in baseball.

“He made sure I did things right,” James said. “If I didn’t get things right, he’d explain it to me, maybe not the way a regular person would – he’d be screaming a lot – but that’s  ‘Broph.'”

Bill Riley, the NHL's third black player, had his pro career extended when John Brophy got him a contract to play for Nova Scotia in the AHL.

Bill Riley, the NHL’s third black player, had his pro career extended when John Brophy got him a contract to play for Nova Scotia in the AHL.

Riley, who was a forward for the Washington Capitals in the 1970s, skated for Brophy’s Voyageurs toward the end of his playing career in 1983-84. Brophy made Riley team captain and the player responded with 24 goals and 24 assists in 78 AHL games.

“Not only did he give me a contract, he paid me $5,000 more than what I was making in Moncton and he didn’t have to do that,” Riley said at a 2013 event in Amherst, Nova Scotia honoring his hockey accomplishments. “He really, really took care of me.”

Riley went into coaching and found himself going up against Brophy in a crucial minor league contest.

“We needed one point to clinch first place overall, and John didn’t give us anything. He played us hard, right to the wire,” Riley recalled. “I think the game ended up 3-3. When I got the point and the game was over, John looked over at me and saluted me.  I considered that one of the greatest honors in hockey.”

 

 

 

 

 

 

 

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Will it be lights, camera – and finally – action for black hockey history movies?

04 Monday Nov 2013

Posted by William Douglas in Uncategorized

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Chris Stewart, Detroit Rockies, Jaden Lindo, Jerry Bruckheimer, Joel Ward, Owen Sound Attack, Paul Newman, Slap Shot, Soul on Ice, St. Louis Blues, Washington Capitals

Hollywood and the Canadian film industry love turning sports stories into movies – especially fact-based, against all-odds, underdog-to-overachiever athletic tales.

“Remember the Titans” chronicled a Virginia high school football team overcoming racial barriers to become champions. “Pride” captured the story of the U.S.’s first all-black competitive swim team. “Crooked Arrows” spun the real-life-inspired tale of a Native American youth lacrosse team. Heck, even Disney couldn’t resist turning the story of the Jamaican Bobsled Olympic team into the comedy “Cool Runnings.”

But when it comes to making feature films or documentaries about the rise of blacks in ice hockey, it seems to be a challenge convincing the entertainment powers that be that it’s a worthwhile venture. That hasn’t stopped Kwame Damon Mason, Joe Doughrity and George Fosty from trying.

For years, the three men have separately been knocking on the doors of film and television industry-types on both sides of the border to get them interested in supporting, funding, and eventually airing their individual hockey film projects.

“It’s a tough sell,” Doughrity told me recently. “When I’ve had meetings at studios about it, they think it’s a great story but hockey is the fourth or fifth sport. It’s not the NFL, the NBA or Major League Baseball.”

Hockey documentary-maker Joe Doughrity.

Hockey documentary-maker Joe Doughrity.

It’s not like hockey is an unknown quantity to showbiz folks. The sport has starred or played a prominent role in many a film, from the 1970 tear-jerker “Love Story” to Paul Newman’s classic “Slap Shot” to director John Singleton’s “Four Brothers.”

Television and film producer Jerry Bruckheimer is a pick up hockey regular in L.A. And Academy Award-winning actor Cuba Gooding, Jr., has been known to suit up for games. Still, getting a black hockey project green-lighted has been a slow slog.

Doughrity, a Detroit transplant who moved to Los Angeles to pursue a movie industry career, has been searching for backing to finish the documentary he started on the Detroit Rockies, an all-black Midget AA team that shocked the hockey world by winning a Can/Am tournament in Lake Placid in 1995. The young Detroiters outscored their U.S. and Canadian competition 35-8 on the way to capturing the title.

The Rockies’ story is compelling enough that Doughrity is working with Fox Television Studios on a pilot that uses the team as a springboard to explore the passion for the game and the resilience of the people of Detroit. He’s also working towards a feature film about the team.

“It’s been happening for a couple of years now,” Doughrity said of the television pilot. “On the feature film side, a pretty well-known producer named Mike Karz, he’s done a bunch of Adam Sandler films, he’s spearheading the feature film version. I can’t tell you anything definitively about a start date, who might be in it, because it’s all in its infancy.”

Still, the slow pace of the projects hasn’t diminished Doughrity’s excitement or drive to get the Detroit hockey story on the big or small screen.

“I love the story,” he said. “It will help make black kids feel comfortable playing the sport because they get it from both sides: they get it white kids who don’t think we play hockey, they get it from black kids who don’t think we play hockey. I want to make something cool about being black and playing hockey.”

Mason, a Toronto resident, recently launched an online fundraising drive on to support

Kwame Damon Mason interviewed hockey great Herb Carnegie, left, before he passed away in March 2012.

Kwame Damon Mason interviewed hockey great Herb Carnegie, left, before he passed away in March 2012.

his documentary: “Soul on Ice: Past, Present & Future.” For his project, Mason has interviewed some of the game’s black trailblazers, including the late Quebec Aces legend Herb Carnegie, who was regarded as one of the greatest hockey players never to reach the NHL; current players such as forward Joel Ward of the Washington Capitals; and follows the budding career of Jaden Lindo, a right wing for the Ontario Hockey League’s Owen Sound Attack. Lindo, 17, will be eligible for the 2014 National Hockey League draft this summer.

Mason hopes to have cameras rolling at Philadelphia’s Wells Fargo Center  on June 27-28 to chronicle how Lindo fares at the draft. But until then, he’s out to raise $40,000 via the international crowd online fund-raising site Indiegogo to help keep film production going.

Mason has gone all-in on his project. He set aside his job in radio two-and-a-half years ago to devote all his time to conducting interviews, raising money, and trying to persuade entities like the Canadian Broadcasting Company to air the documentary when its hopefully finished by next September.

“I’m just being a starving artist right now and putting everything into the project,” he said. “It’s a perfect time for it, more blacks are coming into the league,” Mason said. “It’s not a new phenomenon with blacks playing in the NHL. But I think there needs to be this attention or understanding about the history of it because, as they say, you can’t know where you’re going unless you know where you’re coming from.”

Kwame Mason profiles Owen Sound's Jaden Lindo in his documentary.

Kwame Mason profiles Owen Sound’s Jaden Lindo in his documentary.

Fosty and his brother, Darril, are equally passionate when it comes to trying to generate studio and investor interest in expanding their documentary which is based on their 2004 ground-breaking book, “Black Ice: The Lost History of the Colored Hockey Leagues of the Maritimes, 1895-1925.” 

The book and documentary trace the roots of modern hockey, from the slap shot to butterfly-style goaltending, to an all-black league comprised largely of runaway U.S. slaves who settled in the Canadian Maritimes.

“It’s not been easy at all,” George Fosty told me. “You walk in with a hockey history, and a black history on top of it, add a Canadian history element to it, that’s three strikes and you’re out of it already.  They’re going to say ‘Somebody in Iowa is not going to be interested in this.'”

But he and other filmmakers say that perception is slowly fading as movie and TV executives are taking note that the changing complexion of hockey reflects the changing racial and ethnic demographics of the United States and Canada. in other words, movie-goers and TV audiences are becoming browner.

Fosty says recent conversations that he’s had with Canadian television executives about the possibility of making “Black Ice” a made-for-TV movie make him feel encouraged that the tide may finally be changing for him, Doughrity, Mason and their projects.

“We’re rounding third and heading home,” Fosty said. “These films will be reality, they will be made. Now do you want to work with us or stay on the sidelines? That’s the big question in the meetings we have with industry people today.”

For more information on Joe Doughrity and his hockey film project, visit https://www.facebook.com/joedfilmmaker, follow him on Twitter @afropuck or email him joedoughrity@gmail.com. To Learn more about Kwame Damon Mason’s project, visit Indiegogo at http://igg.me/p/542885/x/4899078. For more on George Fosty’s “Black Ice” efforts, contact him at  gfosty@boxscorenews.com.

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